Archive for the ‘AVSynth’ Category

Gigs June, 2017

June 25, 2017

June 4 at Third Life Studios, Somerville MA
ensemble inédit ?!:
Joe Burgio – artistic director
Katerine Gagnon, Ofri Rieger- movement
Emilio Gonzalez, Christos Koulendros, Matt Samolis, Walter Wright – sound
Working on score for Dance Complex

June 6 at 114 Grand St, Lowell MA
Egregoros:
Christos Koulendros – saz, sampler
Walter Wright – acoustic percussion
Open rehearsal, all welcome!

The Motherlode
June 11 at Elks Lodge, Cambridge MA
Germaine Wright Duo
Stepahanie Marie Germaine – Steph Stuph
Walter Wright – AVSynth
with
lot’s of other noisy people

June 11 at Third Life Studios, Somerville MA
ensemble inédit ?!:
Joe Burgio – artistic director
Katerine Gagnon, Ofri Rieger, Charlotte Wagner – movement
Christos Koulendros, Matt Samolis, John Voigt, Walter Wright – sound
plus
Stu Vandermark & his wife

June 13 at 114 Grand St, Lowell MA
Egregoros:
Christos Koulendros – saz, sampler
Walter Wright – acoustic percussion
Open rehearsal, all welcome!

June 16 at ALL Gallery, Lowell MA
Egregoros:
Christos Koulendros – saz, modules
Walter Wright – acoustic percussion
with
Katerine Gagnon & Ofri Reiger – movement

June 17 at The Hearing Room, Lowell MA
Disembodied Poetics:
Rick Breault – field recordings
Christos Koulendros – modular synth
Walter Wright – amplified drums, percussion
and
Ben Hersey – reading
with
Bella Birds, Rick Breault, Ben Hersey

June 18 at Third Life Studios, Somerville MA
ensemble inédit ?!:
Joe Burgio – artistic director
Ofri Rieger – movement
Emilio Gonzalez, Christos Koulendrous, Matt Samolis, John Voigt, Walter Wright – sound

June 22 at UnchARTed Gallery
Germaine Wright Duo:
Stephanie Marie Germaine – Steph stuph
Walter Wright – AVSynth, video
with
Factory Quartet, President Soup

June 23 at 114 Grand St, Lowell MA
Egregoros:
Christos Koulendros – all things modular
Walter Wright – acoustic drumkit
Open rehearsal, all welcome!

June 25 at Dance Complex, Somerville MA
ensemble inédit ?!:
Joe Burgio – artistic director
– movement
Walter Wright – sound

w2 recorded June 16, 2017

June 16, 2017


patch

Three tracks recorded one after the other without listening back to the previously recorded track. Track 1 PeterB miniSynth pushed 40% left, track 2 PeterB miniSynth 40% right, track 3 acoustic percussion in the middle. Edited in Audacity.

Same patch, however I did re-patch before recording tracks 2 allowing for more ‘notes’, less white noise in contrast to track 1.

Here’s the result –

mix

AVSynth: Geometry recorded June 9, 2017

June 10, 2017

 

AVSynth using Projektor, a Processing sketch, as input, take 2.

Geometry is a b& w Processing sketch using only circles, squares, vertical bars and horizontal lines. On each frame, these simple ‘shapes’ will be drawn randomly, or not. The size and position of the shapes is also random, as are the fade and frame rate. Color and effects are added by the Jones’ MVIP.

patch

Sound is generated by using PeterB’s SWOOP, FOURSES and SPROTT modules.

Both sound and video are touch-controlled using a Mikrophonie module and PeterB’s Mr GRASSI.

All done in real-time, no edits.

AVSynth: Geometry recorded June 7, 2017

June 7, 2017

 

The latest from the AVSynth using Projektor, a Processing sketch, as input.

Geometry is a b& w Processing sketch using only circles, squares, vertical bars and horizontal lines. On each frame, these simple ‘shapes’ will be drawn randomly, or not. The size and position of the shapes is also random, as are the fade and frame rate. Color and effects are added by the Jones’ MVIP.

patch

Sound is generated by using PeterB’s SWOOP, FOURSES and SPROTT modules.

Both sound and video are touch-controlled using a Mikrophonie module and PeterB’s Mr GRASSI.

All done in real-time, no edits.

w2 recorded June 3, 2017

June 3, 2017


patch

Three tracks recorded one after the other without listening back to the previously recorded track. Track 1 PeterB miniSynth pushed 40% left, track 2 PeterB miniSynth 40% right, track 3 acoustic percussion in the middle. Edited in Audacity.

Using feedback on the miniSynth, SPROTT outputs patched back into FOURSES, produces a lot of sound, although this recording is somewhat subdued !!!

Here’s the result –

mix

w2 recorded June 1, 2017

June 1, 2017


patch

Tracks recorded one after the other without listening back to the previously recorded track. Edited in Audacity, track 1 PeterB miniSynth pushed 20% left, track 2 PeterB miniSynth 20% right. Here’s the result –

mix

Projektor: Chailey Mansion March, 2017 v2

May 31, 2017

 

A second version of the “film”, still working on the Processing sketch. A better recording, getting there!

w2 recorded May 24, 2017

May 24, 2017


patch

Tracks recorded one after the other without listening back to the previously recorded track. Edited in Audacity, track 1 PeterB miniSynth pushed 20% left, track 2 percussion 20% right. Here’s the result –

mix

w2 recorded May 15, 2017

May 15, 2017

patch

Music for the birds, a new patch, new outputs. Feeding SPROTT outputs back into FOURSES adds new sounds. The birds like this one, there are times when you can’t tell who’s making the noise, birds or electronics 8^)))

Grace on the left and George on the right, you can hear them singing along 10min in on the right channel.

Track 1: PeterB miniSynth, a mix of the SPROTT bandpass and chaos outputs, 30min long, recorded in real-time.

Track 2: PeterB miniSynth, a mix of the SPROTT high and low pass outputs, 30min long, recorded in real-time.

Tracks recorded one after the other without listening back to the previously recorded track. Edited in Audacity, track 1 pushed 40% left, track 2 40% right. Here’s the result –

mix

w2 recorded May 11, 2017

May 11, 2017

setup

patch

Still using the new patch.

Track 1: PeterB miniSynth, a mix of the SPROTT band pass and chaos outputs, 30min long, recorded in real-time.

Track 2: uses the percussion setup pictured and described above, 30min long, recorded in real-time.

Tracks recorded one after the other without listening back to the previously recorded track. Edited in Audacity, both tracks straight on, no left right separation. Here’s the result –

mix