Archive for the ‘Video’ Category

AVSynth: Geometry recorded June 9, 2017

June 10, 2017

 

AVSynth using Projektor, a Processing sketch, as input, take 2.

Geometry is a b& w Processing sketch using only circles, squares, vertical bars and horizontal lines. On each frame, these simple ‘shapes’ will be drawn randomly, or not. The size and position of the shapes is also random, as are the fade and frame rate. Color and effects are added by the Jones’ MVIP.

patch

Sound is generated by using PeterB’s SWOOP, FOURSES and SPROTT modules.

Both sound and video are touch-controlled using a Mikrophonie module and PeterB’s Mr GRASSI.

All done in real-time, no edits.

AVSynth: Geometry recorded June 7, 2017

June 7, 2017

 

The latest from the AVSynth using Projektor, a Processing sketch, as input.

Geometry is a b& w Processing sketch using only circles, squares, vertical bars and horizontal lines. On each frame, these simple ‘shapes’ will be drawn randomly, or not. The size and position of the shapes is also random, as are the fade and frame rate. Color and effects are added by the Jones’ MVIP.

patch

Sound is generated by using PeterB’s SWOOP, FOURSES and SPROTT modules.

Both sound and video are touch-controlled using a Mikrophonie module and PeterB’s Mr GRASSI.

All done in real-time, no edits.

Projektor: Chailey Mansion March, 2017 v2

May 31, 2017

 

A second version of the “film”, still working on the Processing sketch. A better recording, getting there!

Projektor: Chailey Mansion March, 2017

May 5, 2017

 

Projektor is a Processing sketch, thinking of developing it as module for the AVSynth. Actually, each film will be a separate sketch, played back in real-time.

This video was recorded off my computer screen, not ideal, when the screen goes black you can see my workbench 8^)))

w2 recorded February 15, 2017

February 15, 2017

20170215_avsynthAVSynth

AVSynth, now in a single 104hp rack, includes – (3) Mikrophonies, (1) Mr GRASSI, (1) SWOOP, (1) FOURSES, (1) SPROTT, a couple of multiples, (1) Jones’ Sync Stripper, (1) Ardcore, (1) Jones’ MVIP.

20170215_patchPatch

The patch is straightforward, a Mikrophonie controls video gain and Bounds in FOURSES oscillator 3, Mr GRASSI controls bounds on SWOOP, bounds on FOURSES, and HP and LP filters on SPROTT, the (4) FOURSES outputs are patched to the (4) SPROTT inputs. Video In is patched to the Jones’ SS and Vertical Drive out to the Ardcore Clock In. Ardcore Trigger Outs are patched to Jones’ MVIP Hue 1 and 2 in, and the DAC outs to BitSwap In and Mode In.

AVSynth Phase 4, recorded directly to my MacBook Pro, audio and video.


Clip 01


Clip 02

Egregoros recorded January 10, 2017

January 10, 2017

Christos Koulendros – modular synth, audio mix
Walter Wright – AVSynth, video mix

20170110_block

Something different, rehearsing for a gig at AS220, using the AVSynth, I’m on the left, video from laptop is processed using the AVSynth and output to the monitor, for the gig we will use a projector. My audio is passed to Christos who mixes our sound together and outputs to his powered speakers.

Recorded on my camcorder, off the monitor, quality not so good.

Egregoros at UnchARTed Gallery, October 22, 2016

October 22, 2016

christos10MFDJr, Christos and Josh

Egregoros:
Christos Koulendros – all things modular
Josh Tracy – voice, electronics
Michael F Dailey Jr and Walter Wright – drums, percussion
with
Godless America, Goon Planet, Suicide Attempt, This is Not Okay

Here’s a video –

Gigs September, 2016

September 30, 2016

Downtown First Thursday
September 1 on Middlesex Canal, Lowell MA
Sound Installation
featuring
Rick Breault – drone; Joe Brown – drone; Michael F Dailey Jr – in car vocals; Stephanie Marie Germaine – in car vocals, radio; Bill T Miller – drone; Edward Sears Read – drone; Walter Wright – drone, field recordings, AVSynth

September 1 at 110 Canal Gallery, Lowell MA
Video Installation
including
Lowell: Canals, Sockhop, Appleton Mills; 2012 (11min)
Lowell: Riverwalk; 2014 (12min)
Fall 2015; 2015 (12min)
AVSynth; 2016 (11min)

September 2 at The Hearing Room, Lowell MA
Egregoros:
Christos Koulendros – all things analogue
Walter Wright – drums, percussion

September 4 at Third Life Studios, Somerville MA
ensemble inédit ?!:
Joe Burgio – artistic director
Kristiana Hubley, Ofri Rieger, Andrea Rios – movement
John Voigt, Walter Wright – sound

September 13 at Hopewell Creative Arts Studio, Hopewell NJ
2 Wrights {don’t make a wrong!}:
Zach Darrup – guitar
Jack Wright – reeds
Walter Wright – AVSynth, audio only

Open Jam
September 14 at Spring Garden Music, Philadelphia PA
with
Ben Bennett – percussion
Zach Darrup – guitar
Jack Wright – reeds
Walter Wright – AVSynth

High Zero Festival of Improvised Music
September 15 at The Theatre Project, Baltimore MD
Group 4:
Eames Armstrong – electronics, movement
Jenny Moon Tucker – tenor, alto sax
Zachary Watkins – guitar
Walter Wright – AVSynth, audio & video

September 16 at The Theatre Project, Baltimore MD
Group 3:
Asimina Chremos – movement
Samuel Burt – daxophone, bass clarinet
Maria Usted – sound art
Noelle Tolbert – movement
Walter Wright – AVSynth, audio only

September 17 at The Theatre Project, Baltimore MD
Duo 4:
Bushmeat Sound System – electronics
Walter Wright – drums

Elka Bong Tour
Elka Bong:
Al Margolis – clarinet, viola, contact mics, objects
Walter Wright – drums, electronics, AVSynth

September 19 @ Art Rat Studios, Roanoke VA
September 20 @ Black Iris Gallery, Richmond VA
September 21 @ Nightlight, Chapel Hill NC
September 22 @ Tua Lingua, N Charleston SC
September 23 @ Superfun, Gainesville FL
September 24 @ Rain Dogs, Jacksonville FL
September 27 @ Audiotheque, Miami Beach FL
September 28 @ The Bunker, Tampa Bay FL
September 29 @ Eyedrum, Atlanta GA
September 30 @ Southside Studio, Chattanooga TN

Fall Tour 2016: Day 8

September 20, 2016

I sleep ’til 9am, finally catching up, Al and Ralph are already on their second, or third, cup of coffee, Ralph heads in to work at Taubmann Museum, installing a new exhibition. I work for a couple hours updating blog entries, no internet, no hope of posting. This may be a good thing! By noon we’re ready to leave –

20160920_falltour01

Navigate through Roanoke to Rte 460 E, through Lynchburg to Appomattox where we stop at Granny Bee’s for lunch. Continue on Rte 460 to 360 to the ring road and up to Broad Street. Down Broad Street through the west end and into the city, VCU keeps expanding, seems to occupy blocks and blocks. We pass the makings of a new Institute of Contemporary Art, also VCU. Across Belvedere to The Black Iris Gallery, load in, set up. Benjamin Thorp gives a tour. Tommy shows up, we go for dinner, return to find Pam Turner with several students from Kinetic Imaging waiting 8^)))

Lineup for tonight –

Ting Ting Jahe:
Tommy Birchett – laptop, video
Will O’Donavan – Boardweevil, electronics
Ben Scott – laptop
+
Elka Bong

20160920_falltour02

20160920_falltour03Black Iris Gallery

20160920_falltour06Walter’s setup

20160920_falltour07Al’s setup

20160920_falltour08The gallery

Ting Ting Jahe, a chewy ginger candy, lead off. Good set, interesting textures, a touch of Boardweevil, and with video on a nice industrial-looking cube monitor. Tonight I set up stage right, project across to the left side wall, swapping video cables I get a good clear image, at least clearer than projecting on ‘fuzzy kudzu,’ allows me to work on the video processing. A good set, and I remember to turn on the recorder, sound file here.

I ask if there are any questions, there are, so I spent some time explaining the AVSynth, a couple of people actually sit down and experiment. We pack up, the curator, Benjamin Thorpe, writes us a very nice note, “Al and Walter, you were amazing! Thank you for creating such beauty in a world so full of undoing. You’re part of our extended family now and that extends to your friends.“ Tommy, Will, David, Al and I have a beer in the ’Tiny Bar.” We follow Tommy to his house, we have the studio for the night.

Fall Tour 2016: Day 5

September 17, 2016

I’m up early, coffee with Sue, quick update to the blog, head downtown at 11am. I’m in the afternoon lineup, all duos –

Noelle Tolbert – movement
Zachary Watkins – guitar, electronics
+
CK Barlow – samples, iPad
Ruby Fulton – trumpet, violin
+
Jimmy Joe Roche – modular synth
Jenny Moon Tucker – saxophones
+
Thomas Stanley – electronics
Walter Wright – drums
+
Tom Boran – modular synth, video performance
Eames Armstrong – electronics, performance
+
Samuel Burt – daxophone
Layne Garrett – prepared guitar

[comments]

20160917_falltour05Setting up

20160917_falltour10Jimmy Joe Roche’s modular

20160917_falltour16Dr Thomas Stanley

20160917_falltour15My kit

20160917_falltour19Tom’s modular

20160917_falltour20Eames and Tom, on the monitor

Dinner with Asimina Chremos, Rob Kopki. Back to the theater, tonight’s lineup –

Nonoko Yoshida – solo saxophone
+
Owen Gardner – cello
Anne-F Jaques – motors, objects, contact mics
Laura Ortman – violin
Rosie Langabeer – prepared pianos
+
Eames Armstrong – electronics, performance, pomegranate
John Berndt – saxophones, electronics
Jimmy Joe Roche – voice, modular synth, performance, basketball
Maia Urstad – soundscapes
+
Liew Niyamkarn – electronics, objects
Hanna Olivegren – voice
Noelle Tolbert – movement
+
Jeff Carey – laptop, DIY controller, strobe lights
Marshall Trammell – drums
Jenny Moon Tucker – saxophones
Marta Zapparoli – tape recorders

The night begins with a solo, interesting discussion about solo improvisation with a fellow audience member, Nonoko’s solo seems a little of both improvised and precomposed, it is nonetheless very enjoyable. Set 1 includes Anne-F, Owen, Laura and Rosie. Anne-F and Laura are both amplified, Laura’s amp is onstage. Owen plays behind, underneath and not-too-loud. Rosie’s prepared piano is often lost in the mix. A good set, however, as noted, some of the detail was lost. Set 2 has the potential to escalate into chaos, it includes Eames, John, Jimmy Joe and Maia. Jimmy Joe has been tuning up for hours. John sets up on a mirror that reflects the stage light back up onto the scrim, he is playing saxophones tonight. Jimmy Joe is wearing ‘distressed’ makeup, someone tosses him a basketball that he stuffs under his shirt. Eames and Maia seem stoic. The set progresses, Maia, again, provides sonic underpinning, John provides accents, Eames is again roaming, then Jimmy Joe retrieves the basketball, driibbles center stage. Eames produces a pomegranate, joins Jimmy Joe, they play catch. The basketball wins, the pomegranate lies splattered stage left, the sound peaks, the performance resolves, the performers come back down to earth, well done! Set 3 with Liew, Hanna and Noelle is a nice contrast, Noelle echos the high energy of the previous set as she criss-crosses the floor. The contrast between Liew’s found-object-samples and Hanna’s voice evoke feelings that play well with Noelle’s movement. Set 4 comes with a warning, there will be strobe lights, many strobe lights, 4 banks of strobe lights. The set includes Jeff, Marshall, Jenny Moon and Marta. The strobes are Jeff’s, a bank downstage aimed back at the performers, 2 banks stage left and right aimed at the back scrim, 1 bank behind the performers aimed directly at the audience. The set begin in complete darkness and silence, the strobes behind the performers light up for perhaps 30sec, the sound hits a full-volume, Jeff and Marshall are quite loud, Jenny Moon is hanging in there, playing both saxophones simultaneously helps, Marta is often buried. However the sound and lights vary in amplitude, building and ebbing, tension and release. The side banks of strobe light produce some fascinating images on the back scrim, ‘cubism’ in real-time as we see the performers silhouettes from multiple viewpoints. This is a loud set, not a set a that invites one into the performance space but instead seems to extend that space out in the theater, it’s confrontational, a challenging conclusion to the evening and the three days of programming …

20160917_falltour23Noelle, Eames, ???, Jeff, John, Natasha, Maia

20160917_falltour24Maia and Hanna

20160917_falltour25Liew and Noelle

There’s a after party, with free beer and DJs. No more sets so I pack up, back to Meg’s at 2am, find a parking spot, load in, exhausted.