Egregoros at ALL Gallery June 16, 2017

June 16, 2017

Christos & Walter

This is our last performance for this season. Christos leaves soon, in two weeks, for Cyprus, for the summer. Perhaps, in anticipation, he has been playing his saz. I’ve been playing acoustic, on-the-floor percussion. The sound is traditional.

Several months ago, Christos joined Joe Burgio’s ensemble inédit ?!, a group of musicians and dancers exploring improvised movement and sound. I’m a long-time member. We invited two of the dancers Katerine and Ofri to join us, the lineup –

Chrsitos Kolendrous – saz, modular synth
Walter Wright – acoustic percussion
Katerine Gagnon & Ofri Rieger – movement

Our event is a first for the ALL Gallery, usually reserved for visual art. We developed a plan –

ALL Gallery

We moved out the desk, clearing the main gallery space and set up chairs along the two side walls. Christos & I sat on the floor, at either end, with our backs to the columns.

We played two sets: the first a more traditional set weaving Christos’ traditional Persian melodies with my off-kilter percussion, and the second a ‘score’ for dancers and musicians. In the second set we paired up – Katerine and Christos, Ofri and me. A simple score, musicians follow the dancers, 50% rule. That is, musicians play only when their partners are moving and are silent when their partner are still. We relaxed the 50% rule, each pair would be still/silent 33% or 1/3 of the time.

I find the difference between the two sets, the first sounds like music. It is structured using traditional rules for musical composition. The second however sounds very different, the composition is structured as movement, Christos and I are interpreting the dancers gestures. I was pleasantly surprised listening back to the second set. It holds together –

track 01
track 02

w2 recorded June 16, 2017

June 16, 2017


Three tracks recorded one after the other without listening back to the previously recorded track. Track 1 PeterB miniSynth pushed 40% left, track 2 PeterB miniSynth 40% right, track 3 acoustic percussion in the middle. Edited in Audacity.

Same patch, however I did re-patch before recording tracks 2 allowing for more ‘notes’, less white noise in contrast to track 1.

Here’s the result –


Painting #3019

June 16, 2017

painting #3019

Painting #3018

June 15, 2017

painting #3018

Painting #3017

June 14, 2017

painting #3017

Egregoros recorded June 13, 2017

June 13, 2017

Christos Koulendros – saz, sampler
Walter Wright – acoustic percussion

Final practice before playing at ALL on Friday. Persian licks on saz, sampler filling out the space, off-kilter percussion is coming along.

track 01
track 02

Painting #3016

June 13, 2017

painting #3016

Painting #3015

June 12, 2017

painting #3015

Painting #3014

June 11, 2017

painting #3014

AVSynth: Geometry recorded June 9, 2017

June 10, 2017


AVSynth using Projektor, a Processing sketch, as input, take 2.

Geometry is a b& w Processing sketch using only circles, squares, vertical bars and horizontal lines. On each frame, these simple ‘shapes’ will be drawn randomly, or not. The size and position of the shapes is also random, as are the fade and frame rate. Color and effects are added by the Jones’ MVIP.


Sound is generated by using PeterB’s SWOOP, FOURSES and SPROTT modules.

Both sound and video are touch-controlled using a Mikrophonie module and PeterB’s Mr GRASSI.

All done in real-time, no edits.