Experimenting with ‘spontaneous composition’, all tracks recorded one after the other without listening back, all improvised (no score). Two tracks using the AVSynth and one track of percussion, mixed in Audacity as follows –
track 01 – AVSynth (audio only)
track 02 – AVSynth (audio only)
track 03 – amplified drum kit
mix 01 – tracks 1 & 2, all electronics
mix 02 – tracks 1 & 3, electronics & percussion
mix 03 – tracks 2 & 3, electronics & percussion
mix 04 – tracks 1, 2 & 3
Still working on integrating electronics and percussion, AVSynth and amplified drum kit, mixed in Audacity. The mix holds together for the whole 30min 8^))).
Still working on integrating electronics and percussion, AVSynth and amplified drum kit, mixed in Audacity. The mix holds together for the first 15min, loses focus in the second 15min, getting there.
A 1min test of the Projektor module, recorded using Snapz on my MacBook Pro.
Still using the same patch, single track, electronics only.
Slight modification to the patch, mix the SPROTT HP and LP outputs before sending them to DENUM. 2 AVSynth tracks and 2 amplified drum kit tracks, mixed using Audacity, tracks 1 & 3 > mix 1, tracks 2 & 4 > mix 2.
track 01 – AVsynth
track 02 – AVSynth
track 03 – amplified drum kit
track 04 – amplified drum kit
mix 01 – track 01 & 03
mix 02 – track 02 & 04
7-string baglama
“The bağlama is a stringed musical instrument. It is sometimes referred to as the saz, it is also sometimes referred to as the “cura”, although the term “saz” actually refers to a family of plucked string instruments, long-necked lutes used in Ottoman classical music, Turkish folk music, Iranian music, Azeri music, Kurdish music, Assyrian music, Armenian music, and in parts of Syria, Iraq and the Balkan countries.”
~ Wikipedia
Christos Koulendros – 7-string baglama or saz
Walter Wright – amplified drums, percussion
